T.S. Eliot in Love and Los Angeles: A Photo Essay

Cover art for the forthcoming book Simply Eliot

In the summer of 2009 I attended the inaugural T.S. Eliot Summer School in London, England.  Before the first session, I started chatting with a group of international Eliot scholars.  One of them asked me where I was from.  When I said Los Angeles, he responded dryly, “I’m sorry.” 

It was a predictable bit of snobism, entirely appropriate to the setting.  T.S. Eliot hated California.  In a series of private letters written in early 1933, he called it “a horrible place,” “a nightmare,” and one of America’s “two great mistakes” (the other being New York).  Eliot’s correspondents were, not surprisingly, British—and the missives may be partly indicative of the poet’s longing for England, after nearly a year abroad, rather than of full-hearted contempt for California.  At the very least, there was one thing about California that he was sincerely devoted to.

From late September 1932 until late June 1933, the poet served as a visiting professor at Harvard University in Cambridge, Massachusetts, and a guest lecturer at several other east coast schools.  In the middle of that year, he traveled west—making stops in St. Louis, Missouri (his birthplace); Minneapolis, Minnesota; and Claremont, California.  Eliot had been planning his trip to the west coast for months.  In early 1932, he wrote to his brother Henry that he saw this as his “only opportunity” to “explore America.”  As the trip drew closer, he hinted that he had a more specific reason for going to California. 

T.S. Eliot (Harvard yearbook, 1910) and Emily Hale (1914)

We now know that Eliot made the journey primarily to see his friend Emily Hale, who was the new Drama teacher at Scripps College in Claremont.  Eliot and Emily Hale first met in 1912 when he was a student at Harvard University.  In the spring of 1914, before going on an extended trip to Europe, Eliot professed his love to her.  According to the poet’s own account, Miss Hale made it clear that she did not share his feelings.  A year later, in London, Eliot married Vivienne Haigh-Wood and resolved to settle permanently in the UK.  His correspondence with Emily Hale ceased until the late 1920s, by which time the poet's marriage was a disaster.

T.S. Eliot probably viewed his 1932-33 trip to the U.S., at least in part, as a second chance with Emily Hale.  In late December 1932, the famously staid poet secretly boarded a train from Boston to southern California.  Officially, he was a renowned scholar accepting an invitation to give a paid lecture at a liberal arts college.  Unofficially, he was a spirited romantic chasing a long lost love. 

Eliot arrived on the platform of the newly-built, Spanish-style Santa Fe depot in Claremont at 6:20am on December 27.  Emily was there waiting for him, alongside fellow Scripps faculty member Paul Havens, who had previously met the poet at Oxford University and who (more importantly) owned a car that could deliver him to his destination. 

The trio’s next stop was the College Avenue home of Miss Mary B. Eyre, who had agreed to loan Eliot some rooms for the duration of his stay.  Emily Hale and Mary B. Eyre were probably bonded by their mutual enthusiasm for drama; local historian Judy Wright reports that the Claremont Community Players group was formed under Eyre’s roof in 1928.  It was fitting, then, that one of England’s foremost verse dramatists should hang his hat there for a while.

Santa Fe depot in Claremont

Former home of Mary B. Eyre on College Ave. in Claremont

It didn’t take long for word to get around Claremont that T.S. Eliot was in town—and that he was visiting Emily Hale.  A former Scripps student told Eliot biographer Lyndall Gordon that everyone understood he was in Claremont because of “something” between him and the new Drama teacher.  “How else,” the former student asked, “could he have been attracted to our campus?” 

Claremont had historically held some appeal for easterners.  In the late 1800s, it was widely advertised as a destination for New Englanders seeking a natural paradise.  Reflecting on his time in Claremont in early 1933, Eliot highlighted the novelty of seeing trees full of oranges in the same place where one could get a car stuck in the snow—but such novelties had obviously not been the lure for him. 

Aerial of Claremont in the 1930s (photo credit: Scripps College Archives, Ella Strong Denison Library, Scripps College)

View of Mt. Baldy from an orange grove in Claremont (photo credit: Los Angeles Public Library)

The California land boom of the 1920s and the subsequent creation of the Claremont Colleges consortium were stimulated what is now known as a community of “trees and PhDs.”  Scripps College was founded in 1927, so it was barely five years old at the time of Eliot’s visit.  In 1933, the PhDs were still vastly outnumbered by the orange groves.  Teachers like Emily Hale and Paul Havens were young members of a new institution—pioneers in a cultural wilderness.  At least, that’s how Eliot probably saw it.

During his time in Claremont, the poet was welcomed as a cultural emissary.  At the home of Paul and Lorraine Havens, he engaged in a discussion of Shakespeare, Milton, John Donne, and John Dryden.  The discussion ran long enough for Eliot to demonstrate his preference for watercress and cucumber sandwiches, and to drink a whopping fourteen cups of tea.  Similar social events reportedly took place at the homes of Pomona College English professor Harold Davis and Scripps History professor Nathaniel Stephenson.  

Former home of Pomona College professor Harold Davis

According to historian Judy Wright, Eliot was also a guest at this house on Harvard Avenue in Claremont

In early January, Eliot made multiple visits to the Scripps campus, where he inscribed copies of his newly-published play Sweeney Agonistes, attended several classes (including one on 17^th century literature taught by Paul Havens), and gave an informal talk to students in the Toll Hall browsing room.  Emily Hale was, at the time, the head of Toll Hall, which perhaps explains the choice of location.  On January 5, in Balch Hall auditorium, Eliot gave a formal lecture on the English nonsense poets Lewis Carroll and Edward Lear.

Toll Hall

Toll Hall browsing room (photo credit: Scripps College Archives, Ella Strong Denison Library, Scripps College)

Balch Hall

Balch Hall auditorium (photo credit: Scripps College Archives, Ella Strong Denison Library, Scripps College)

The fourth volume of The Complete Prose of T.S. Eliot collates several contemporary accounts of the lecture.  According to one report, “Mr. Eliot came to the conclusion that the greatest poetic art is that which sacrifices the least of the other poetic elements in the approximation toward the condition of music.”  A separate account indicates that the poet spoke about a type of musical poetry in which words fail, but meanings still exist.  These notes suggest that the masterpiece Four Quartets may have been germinating in the poet's mind during his time in California. 

Eliot scholars usually point to a real rose garden beside the Burnt Norton manor house (which the poet visited with Emily Hale in the summer of 1934) as the inspiration for the first of the Four Quartets—but, according to Helen Gardner, Eliot himself also pointed to “the beginning of Alice in Wonderland, and the garden” in that work.  Eliot was certainly aware of Lewis Carroll’s novel before his trip to California, but he seems to have focused more attention on Carroll’s work during his year in America than he ever did before or after. 

On May 18, 1933, shortly before he returned to England, Eliot wrote to his friend Paul Elmer More that Alice in Wonderland seemed hauntingly relevant to the present moment in his life: “My life seems like Alice and the glass table: there is something I want here (domestic affection) and something I want in England, and I can’t have both; fortunately the time of choice is long since past.”

In early January 1933, however, he might not have been so certain that the moment of choice had already passed.  During his final days in southern California, Eliot gave lectures at UCLA and USC, and attended Sunday morning service at St. Mark’s Episcopal Church in Upland with Emily Hale and the Havenses.  Lorraine Havens later remembered sharing a prayer book with the poet and—to her embarrassment—dropping it during the service.

St. Mark's on the corner of Euclid and F Street in 1915 (photo credit: Cooper Regional History Museum)

Fleur De Lis Chapel (a reconstructed St. Mark's) on East 16th Street today (photo credit: fleurdelischapel.com)

On January 10^th, Eliot shed his formal role as a cultural emissary and made arrangements to spend his last day with Emily alone.  Marie McSpadden, a Scripps drama major from nearby Glendale, drove the couple to Balboa Island, where her mother had a summer cottage—so that T.S. Eliot and Emily Hale could have some "uninterrupted time" together.

Like Claremont, Balboa Island was a sleepy community in 1933, especially during the winter months.  The island had only been in existence for a few decades—literally dredged up by an ambitious developer at the turn of the century.  Lots on the western end of the island had been parceled out in 1909, but property values plummeted during World War I.  In January 1922, as things were finally beginning to rebound, Marie McSpadden's mother Hiltrud bought a single lot [Resub Sec 1, Block 6, Lot 24 ] on Garnet Avenue from a Glendale artist named Claude G. Putnam.  Today, the “summer cottage” that sat on her property in 1933 is long gone—as is much of the quaintness of the island, which was sparsely populated at the time of Eliot’s visit.  
 

Balboa Island in 1921 (photo credit: Newport Beach Historical Society)

Balboa Island in 1930 (photo credit: Balboa Island Museum)

1939 map of Balboa Island by Claude G. Putnam (photo credit: Balboa Island Museum)

One of the oldest houses on Garnet Ave., built in 1920 (photo credit: Balboa Island Museum)

1933 house on Garnet Ave., right next door to the McSpadden lot (photo credit: Balboa Island Museum)

On that Tuesday in January 1933, T.S. Eliot and Emily Hale were probably every bit as isolated on Balboa Island as they would be later at the English manor house called Burnt Norton.  Marie McSpadden told Lyndall Gordon that she took the couple out into Newport Bay on a motor boat, then dropped them off at nearby Corona Del Mar beach.  We have no other account of the day, although I like to imagine that they briefly hid from the world behind the bluffs at Big Corona.  (I am not the first person to craft a bit of historical fiction about these two purported lovers—see Martha Cooley's The Archivist, as well as Steven Carroll's The Lost Life and A New England Affair.)

Marie McSpadden offers the only authentic postscript: When Eliot returned to England, he sent her a copy of his 1930 poem “Marina,” a beautiful and haunting rumination on death and rebirth.  

Corona Del Mar around 1940 (photo credit: Newport Beach Historical Society) and in 2017

The bluffs at Corona Del Mar, past (photo credit: Newport Beach Historical Society) and present

On January 11^th, the day after his trip to Balboa Island, T.S. Eliot headed north—by way, apparently, of Hollywood.  He wrote to his friend Frank Morley from The Brown Derby restaurant near the corner of Wilshire and Vine.  Later, he remembered that strange place—“built of concrete to look like a Brown Bowler Hat”—to fellow author Virginia Woolf, saying, “you go there and eat Buckwheat Cakes & Maple Syrup and Coffee at Midnight, and it seems just as normal as an A.B.C.”  In the same letter, he remarked on a striking green skyscraper—presumably the Eastern Columbia Building downtown—that one "hardly notice[s]" among all the other oddities.  The tone of the letter is unmistakable; to Eliot, Los Angeles was a ridiculous Wonderland.

The Brown Derby in 1927 (photo credit: Mark Wanamaker / Bison Archives)

The Eastern Columbia Building on South Broadway in downtown Los Angeles

In spite of his tantalizing note about The Brown Derby, it remains difficult for me to imagine T.S. Eliot dining among the stars of early Hollywood.  Did anyone there recognize England’s premier poet?  Probably not.  Did Eliot himself recognize any Hollywood royalty?  Doubtful.  All his life, Eliot was rather disparaging about cinema as an art form.  He professed admiration for Charlie Chaplin and Akira Kurosawa—and, later in life, he initiated a correspondence with Groucho Marx—but he was never a cinephile.

Friends like Robert Sencourt and Joseph Chiari claimed that Eliot loved Westerns, and the L.A. noir fiction of Raymond Chandler, but the poet himself didn't make such claims in public—and he never expressed any particular enthusiasm or affection for the west coast culture from which those stories sprang.  After a return visit to Los Angeles in 1951, he told his friend John Malcolm Brinnin, “I don’t think I’ve ever felt so far from home in my life,” suggesting that the place had brought out in him "some grotesque condition of the spirit."  By then, his relationship with Emily Hale had deteriorated; the moment of choice had most certainly passed.

As of 2017, the relationship between T.S. Eliot and Emily Hale remains mysterious.  New evidence will come to light in January 2020, when more than 1,100 letters from the poet to his supposed paramour will be unsealed at Princeton University Library.  Maybe then we’ll also learn a few more details about T.S. Eliot’s love / hate relationship with southern California.

Illustration from Martin Rowson's L.A. noir comic book adaptation of T.S. Eliot's The Waste Land

Acknowledgments 
I am indebted to Susan Allen and Dorran Boyle of the Ella Strong Denison Library at Scripps College, who helpfully guided me through that library’s T.S. Eliot Collection, as well as to Jennifer Keil and Sue Sibley of the Balboa Island Museum and Historical Society.

Sources

Allen, David.  “T.S. Eliot may have found Claremont the chaste land.”  Inland Valley Daily Bulletin.  December 25, 2012.

Brinnin, John Malcolm.  Sextet: T.S. Eliot and Truman Capote and Others.  New York: Delacorte, 1982.

Eliot, T.S.  The Complete Prose of T.S. Eliot: The Critical Edition Volume 4: English Lion, 1930-1933.  Ed. Jason Harding and Ronald Schuchard.  Baltimore: Johns Hopkins and Faber, 2015.  Via Project Muse Online.

Eliot, Valerie and John Haffenden, ed.  The Letters of T.S. Eliot Volume 6: 1932-1933.  London: Faber, 2016.

Gardner, Helen.  The Composition of Four Quartets.  New York: Oxford, 1978.

Gordon, Lyndall.  The Imperfect Life of T.S. Eliot.  London: Virago, 2012.

Loucks, James F.  “The Exile’s Return: Fragment of a T.S. Eliot Chronology.”  ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. Vol. 9, No. 2, Spring 1996.

Wright, Judy.  Claremont: A Pictorial History.  Claremont Historic Resources: 1999.