There is nothing simple about T.S. Eliot. At least, that's the simple conclusion to be drawn from the existence of thousands of books, essays and dissertations about the Nobel Prize-winning poet. Collectively, this body of critical work has created a popular conception of Eliot as an impossibly complex writer and a man of many contradictory masks. Critics have presented him as an avant-garde poet and a conservative critic, a modernist and a traditionalist, a Romantic and a Classicist, a philosopher and a moralist, an American and a European, a proto-fascist and a pseudo-mystic, a bigot and a sage. Each of these masks can be peeled away, but then what are we left with? Who was T.S. Eliot and what did he really stand for?
“The next time I teach Eliot to undergrads I will assign this swift, witty, enjoyable invitation to T. S. Eliot’s work and thought. Maddrey knows everything about Eliot, but he grinds no axe which frees professors and students to grind their own. Scrupulously footnoted for professional use, not short but concise, it is stuffed with unfamiliar and apt quotations. Maddrey quotes a 1949 interview about The Cocktail Party, in which Eliot said, 'If there is nothing more in the play than what I was aware of meaning, then it must be a pretty thin piece of work.' There’s the New Criticism in 25 words, 21 of them monosyllables. Eliot asks us to quit asking what he thought and to do some thinking ourselves. This book will help.”
“The next time I teach Eliot to undergrads I will assign this swift, witty, enjoyable invitation to T. S. Eliot’s work and thought. Maddrey knows everything about Eliot, but he grinds no axe which frees professors and students to grind their own. Scrupulously footnoted for professional use, not short but concise, it is stuffed with unfamiliar and apt quotations. Maddrey quotes a 1949 interview about The Cocktail Party, in which Eliot said, 'If there is nothing more in the play than what I was aware of meaning, then it must be a pretty thin piece of work.' There’s the New Criticism in 25 words, 21 of them monosyllables. Eliot asks us to quit asking what he thought and to do some thinking ourselves. This book will help.”
—George J. Leonard, Author of Into the Light of Things and The
End of Innocence. Professor of Interdisciplinary Humanities, San Francisco
State University
“Joseph Maddrey provides an illuminating spiritual biography of
T.S. Eliot that treats his writings as markers of Eliot’s lifelong spiritual
drama and development while avoiding reducing his poetry to biography because
he treats the texts as products of creation that all can contemplate. Maddrey
admiringly captures the creativity of both Eliot’s character and his poetry.
The two are elusive not only because Eliot’s poetry employs a vast and
encyclopedic storehouse of poetic images ('3,000 years of word made flesh'),
but also because his poetry strives to move 'beyond poetry,' at the apophatic
'ever-present frontier of consciousness—where words fail, though meanings
persist.' Maddrey introduces Eliot to a new generation of readers, and guides
wanderers anew at the 'point of intersection with the timeless / With time.'”
—John von Heyking, Professor of Political Science at the
University of Lethbridge, Alberta, Canada
“T. S. Eliot considered that 'a worthwhile biography should show
the development of an artist and give readers a proper sense of how each work
of art fits within the whole.' In Simply Eliot Joseph Maddrey
has fulfilled the directive, brilliantly compressing a gargantuan amount of
previous Eliot studies and providing a fresh dynamic manual for understanding
this storied literary icon.”
—Quinton Hallett, Poet, and Author of Mrs. Schrödinger’s
Breast
“Simply Eliot is an accessible, artfully-written
book that positions a well-known literary figure in a seemingly new landscape.
One of the book’s greatest strengths is its extensive engagement with archival
sources. Maddrey draws on those sources to give weight and depth to his narrative,
which weaves interpretations—close-readings, even—of Eliot’s poetry into the
broad strokes of his biography and intellectual genealogy. The approach
is neither reductive nor esoteric, and Maddrey’s way with
language draws the reader—one suddenly realizes one is reading and enjoying
literary criticism. For this reason, the book will appeal not just to an
audience of academics or students, but to intelligent, cultured people of all
kinds.”
—Dr. Siân White, Associate Professor of English, James Madison
University
“Joseph Maddrey's Simply Eliot is an elegant
addition to the Great Lives series, providing an authoritative introduction to
T.S. Eliot's work and influences. Accessible and yet well researched, Maddrey's
biography gives readers a deeper understanding and appreciation for Eliot's
life and his development as an artist by tracing the personal and critical
influences of the individual poems and plays written throughout the writer's
long career. Maddrey focuses on the individual works themselves to demonstrate
how each fits into the whole and represents Eliot's journey as a spiritual
seeker and artist. Maddrey's book will make a great introduction to all who are
interested in Eliot as well as to everyone and anyone who wants to learn more. Simply
Eliot is simply what all biographies should be.”
—Carol Scarvalone Kushner, Professor of English & Humanities
at Dutchess Community College
“Joseph Maddrey’s brief vita of Eliot is a tale of a search for
identities both human and divine. Maddrey is right to say that 'Eliot’s total
commitment to the church transformed his poetry.' Was that church, though, the
Church of England, with its distinctive patrimony of the King James Bible, and
Lancelot Andrewes, and George Herbert, and their like, or the Anglican faith as
a world religion which Eliot experienced first in the USA during his flight
from Unitarianism? Maddrey’s analysis of Eliot as an American High-Church
Anglican living in Britain insightfully explores the relationship between
religious and cultural identities, and helpfully places Eliot, nationally and
religiously respectively, as 'stranger and pilgrim.'”
—The Reverend Graeme Napier MA MPhil (Oxon), Rector, St. John’s
in the Village, Greenwich Village, New York
“This relatively brief account of the life of T.S. Eliot
admirably enlarges one’s appreciation of his poetry and other writings by
situating them within their historical, cultural, and religious backgrounds.
Not of least value is the final section entitled ‘Suggested Reading’, which is
actually a summary of the responses of critical scholarship to Eliot’s work
rather a mere list of books.”
—The Reverend Dr. Paul Bradshaw, Professor Emeritus of
Liturgical Studies, University of Notre Dame
“I had to stop my daily life, almost, to read Simply
Eliot; for me, it is compelling, refreshing, and genuinely exciting
to read a biography that speaks to Virginia Woolf’s “common reader.” Cats saved
Eliot for millions of people, but it did not make people want to read Eliot’s
challenging poetry. I think Maddrey’s book will.”
—Charles W. Spurgeon, Professor Emeritus at Marymount University
and Author of The Poetry of Westminster Abbey and J.
Henry Shorthouse, The Author of John Inglesant (with Reference to T.S. Eliot
and C.G. Jung)
No comments:
Post a Comment