Thursday, July 09, 2009

In Brief

I'm back in L.A. for twenty-four hours... just long enough to make that announcement I promised in my last post.

Nightmares in Red, White and Blue has been accepted into this year's Deauville Festival of American Cinema! The festival will take place in September in the Normandy region of France.

I'm hoping to make a few additional announcements when I return next week. Until then...

Wednesday, June 24, 2009

Leave of Absence

I am taking a leave of absence from this blog for the next few weeks while I do some traveling. From June 27 to July 5, I’ll be taking part in the 1st T.S. Eliot International Summer School in London, organized by Professor Ronald Schuchard “to provide research training for the new generation of Eliot scholars.”

Schuchard is the author of Eliot’s Dark Angel (Oxford UP, 2001), one of my favorite studies of the poet. He concluded that book with an impassioned call for 21st century critical editions of Eliot's work, predicting that “we are at the threshold of a new textual age for organizing and presenting Eliot’s texts.” His words now seem prophetic. Four major publications, guaranteed to revolutionize the study of one of the 20th century’s most influential literary figures, are currently in progress:

1. A revised edition of The Letters of T.S. Eliot, Vol. 1 (1910 – 1922) is being prepared for release in the fall. Two additional volumes of letters, covering the years 1922 – 1928, are also expected within the next year.
2. A two-volume critical edition of Eliot’s Complete Poems is scheduled for release in 2012.
3. A two-volume critical edition of Eliot’s Complete Plays is scheduled for 2014.
4. A seven-volume edition of Eliot’s Complete Prose (including countless uncollected essays and articles) is in the works and the first two volumes are expected in 2012.

There has also been some new activity on the audio books front. Ralph Fiennes recently recorded a reading of Eliot's masterpiece Four Quartets, which should be available in July. In short, it is a very exciting time to be an Eliot enthusiast and I'm sure that there's more news on the horizon.

For now, let me point you toward a book review I just wrote for the latest issue of the e-journal The Modest Proposal (which I’m told will be published any day now) and leave you with the promise of some BIG upcoming news about my Nightmares in Red, White and Blue documentary.

Until then…

Burnt Norton

Poet Charles Bryant reads the first of Eliot's quartets...


Sunday, June 21, 2009

Thoughts for Desperate Writers

If one is a native of the mountains, one can study philosophy or natural history for years and do away with the God of old, and yet as one feels the Fohn approach once more or hears an avalanche break through the thicket, your heart throbs in your breast and your thoughts turn to God and to death... All these natural events can fill childhood and, if need be, a lifetime. For they proclaim loudly and uninterruptedly the message of God as it never came from the lips of man. Whoever has thus once heard it in childhood, hears it for the rest of his life, sweet, strong, fearful, and never escapes its spell.
- Herman Hesse, Peter Camenzind (1904)

As you get older, you get smarter and that can hinder you because you try to gain control over the creative impulse. Creativity is not like a freight train going down the tracks. It's something that has to be caressed and treated with a great deal of respect. If your mind is intellectually in the way, it will stop you. You've got to program your brain not to think too much.
- Bob Dylan (1995)

Ray Bradbury Speaks!


Ever since I moved to L.A., I’ve been eager to hear Ray Bradbury speak in person. Usually I learn of his speaking engagements about 24 hours after they take place, but this weekend (thanks to L. and her obsession with the New York Times) I got some advance notice. Yesterday, Bradbury appeared at the Ventura College Theater as part of the campaign to save the H.P. Wright Library, which is being threatened by budget cuts.

The 88-year-old writer was wheeled onstage and sat expressionless as he was introduced. At first glance, I thought he looked tired and slightly aloof. Boy was I wrong. After a pregnant pause, he asked, “Are you ready for me?” Then he leaned toward the microphone and began: “I suppose you’re all wondering why I’ve called you here today…” Everyone laughed, because at that moment we realized that he was just using silence to draw us in. Before he’d said a word, he was holding us in the palm of his hand. Moments later, we fully understood that we were in the presence of a master storyteller.

For the next half hour, Ray Bradbury regaled us with stories about his life – his first kiss (he was 26, and so elated that he missed his bus stop on the way home), his decision to write weird tales (no matter what people said about his emulation of Edgar Allan Poe and Edgar Rice Burroughs), the sale of his first two novels The Martian Chronicles and The Illustrated Man (in the same day!), his confident foray into Hollywood screenwriting (see It Came from Outer Space), the week he spent in Rome with Federico Fellini (who, at the end of their visit, enthusiastically called him “MY TWIN!”). Time and time again, he kept coming back to the subject of libraries – because, he said, that was the center of everything. His life as a writer began with his early explorations at the neighborhood library in Waukegan, Illinois:

“Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever… This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Pieping and Yokohama and the Celebes. Way down the third book corridor, an oldish man whispered his broom along in the dark, mounding the fallen spices…”
[excerpt from Something Wicked This Way Comes]

Bradbury’s family moved to Los Angeles when he was 13 years old. His father was out of work for years and the family didn’t have any money for books, so the local library was his saving grace. After he graduated high school, Bradbury dismissed college in favor of the library – because, he explained, nobody tells you what to read there. Instead, you make your own choices based on what genuinely inspires you. He explained that, over the course of ten years, he went to the library for three full days every week until he had read “every damn book in the whole damn library.”

That’s how Ray Bradbury has lived his life: doing what he loves and loving what he does. That’s his secret to living forever and he urged us to learn from his example. Don’t invest in colleges and universities, he said, because they don’t need your money as badly as kindergartens and libraries. It’s through early childhood education and local libraries that we develop lifelong passions. If people aren’t passionate about discovering other worlds by the time they’re 12 or 13, he added, it’s too late. That’s why the libraries are so important.

“We live in strange times,” he said, when the preservation of libraries is not a top priority. We may not be burning books, like the fascists in his novel Fahrenheit 451, but we’re certainly undervaluing them. We’re also undervaluing the role that libraries play in our communities. During the presentation, I sat next to two older women, Gracie and Mary. Mary told me that she walked to the library from her house everyday, and didn’t know where she’d go if the library closed. Gracie, who looks remarkably youthful at age 91, seemed to draw much of her energy from a lifelong love of books. Both of these women were clutching copies of my favorite Bradbury novel (in fact, one of my favorite novels, period) Dandelion Wine – a meditation on the magic and wonder of youth that never dies.

Ray Bradbury’s mission is not just to help save libraries, but to help people save the most passionate part of themselves. He closed his speech with two pieces of sage advice:
1. “Make sure that if anyone gives you money [for work], they have the same ideas you have. If you love what you do and do what you love, it’s okay… but never work just for money… Tomorrow morning, if you get out of the bed and think about the people who oppose you and who don’t believe in what you’re doing, call them up and fire them.”
2. “Love is the answer to everything. All of my books are things that I love. All my stories come out of my love… They don’t come from here [the head], they come from here [the heart]. I must teach you to pay attention to your heart, and the library has got to be in the center of your being, the center of your heart, and your love for the future.”

So far, the “Save Wright Library” campaign has raised $80,000 – enough, the organizer says, to keep the library open until August and guarantee the existence of a summer reading program for neighborhood kids. But they’ve still got a long way to go to reach their goal of $280,000 by March 2010. To find out how you can help, visit their website. And tell them Ray sent you...

Friday, June 19, 2009

Wildwood

It’s been unseasonably cool over the past few weeks in Los Angeles – perfect hiking weather – so I finally decided to wander out to Thousand Oaks and explore Wildwood Park, once a popular filming location for westerns. This is where John Wayne taught Jimmy Stewart how to use a gun in THE MAN WHO SHOT LIBERTY VALANCE (1962). It’s also where Paul Newman tackled one of his earliest roles, as Billy the Kid in Arthur Penn’s debut film THE LEFT HANDED GUN (1958). Even Elvis carried a gun here, in Don Siegel’s FLAMING STAR (1960).

The landscape has changed a bit since those films were shot. As at Iverson Ranch, the hills are now overgrown with houses. The steep and winding Santa Rosa trail to the north follows Mountclef Ridge, weaving in and out of a small subdivision. On a clear day, I’m told, you can see ocean from the top of the trail. Unfortunately, I didn’t go on a clear day. My only view was of the Santa Rosa Valley to the north – which, until a few decades ago, was so packed with citrus groves that it was used as the location of a pivotal scene in Roman Polanski’s CHINATOWN (1974). Much of the valley is still farm land.

Wildwood Park also has a “low road” to the south and, in the heat of summer, this is the way to go. Moonridge Trail leads down into a surprisingly lush canyon at the base of a waterfall. Along the way, you’ll pass an “Indian cave” and a giant teepee – reminders that this was originally the home of the Conejo Indians. Paradise Falls sits almost directly below the teepee. For the truly restless, the trail continues along the creek to a campground / picnic area, where a mysterious stairway leads up the hills to the south. Another trail for another time…

Hollywood at Wildwood

THE MAN WHO SHOT LIBERTY VALANCE:

THE LEFT-HANDED GUN:

Mountclef Ridge


Views from Mountclef Ridge

view to the south:

view to the north:

Indian Cave


Moonridge Trail


Paradise Falls


The Way Out?


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